


are different, and various different schools of Guzheng have been formed as a result, making the development of Guzheng increasingly prosperous. Due to historical changes and regional influences, local styles, performance techniques, etc. Since then, it spread to Henan, Shandong, Guangdong, Zhejiang, Inner Mongolia and other places. Le Si" of the Tang Dynasty records: "Zheng, Qin Sheng is also." Fu Xuan's "Preface to Zheng Fu" said: "I thought it was made by Meng Tian."Īs far back as the Qin Kingdom (Shaanxi Province) during the Warring States Period, the zheng had been popular and was called "Qin Zheng" at that time."It can be seen that the guzheng form before the Han Dynasty should be "five strings, build the body", but at that time "combined with (Shanxi) Liang (Gansu) Erzhou zheng shape like a serpent"," Ying Shao did not know who made the reform, still remember The rumor that "Meng Tian made" has been released, which shows that the ser-shaped guzheng has been circulating in the Han Dynasty. The shape of the zheng is like a serpent in the present and Liang two states. The fourth argument is "Meng Tian builds a zither." In the Han Dynasty Ying Shao's "Fun Shu Tong", the article: "Zheng, I would like to follow the "Book of Rites and Music", the five strings, build the body.

The "Zheng" of the Guzheng is named after the sound effect. The third argument is "audio naming." In the post-Han Liu Xi's "Shi Ming" Zheng Article said: "The string is high and anxious, and the Zheng Zheng is also". As time went by, weapons became lighter and lighter, and the bulky Guzheng lost its role as a weapon and only appeared as a musical instrument. Therefore, there is a saying that "the zheng can be used for music while standing on the ground". When it was plucked, it was found to be pleasing to the ear, so it developed into a musical instrument. The second argument is "weapon improvement." According to this view, the Guzheng was originally a weapon in the Warring States Period. The two daughters are passed on by a seductress, and the two daughters fight to break, and finally become the two implements, hence the name Zheng." In the "Le Dao Le Ji Ji" written by the court musician Oka Chang Ming in the Genroku reign of Japan, it is recorded that: "Qin has a wan and unrighteous person. There were half of them, and they were called Zheng at the time." Of course, in addition to the argument of father and son arguing, there are also sayings of brothers and sisters. The name of the zheng began from then on." Song Dynasty's "Jiyun" also supports this view: "Qin is vulgar and evil, and fathers and sons have contenders. The people of Qin drew and fought, and the brothers quarreled, and broke into two. The 50-string Guse, since the Yellow Emperor ordered the female drums, the emperor's sorrow is endless, break it, and from the second to the second. According to Zhao Lin's "Yinhualu" in the Tang Dynasty: "Zheng, Qin Yueye, is the like of Qin. The first kind of argument is "dividing the semper into the zheng". The origin of the Guzheng is still inconclusive. It was popular in Qin during the Warring States Period and has a history of more than 2500 years. 163 represents the length of the guzheng is about 163 cm, and 21 represents the number of guzheng strings 21.Ĭhinese zither is an ancient Han national musical instrument. The most commonly used specification is 21 strings usually the model of guzheng uses S21 before, and S stands for S Xingyue Mountain was invented by Wang Xunzhi and Miao Jinlin. Zheng), Tang and Song Dynasty There are 13 strings at one time, and later increased to 16 strings, 18 strings, 21 strings, 25 strings, etc.The earliest 38-string zither was the most (Fenser The string frame "Zhengzhu" (ie the geese column) can move freely, one string and one tone, arranged according to the pentatonic scale. The shape of the zither is a rectangular wooden sound box. The guzheng structure is composed of a front panel, strings, Qianyueshan, string nails, tuning box, piano feet, Houyueshan, side panels, sound outlets, bottom plates, and string holes. It is one of the unique and important national musical instruments in China. Chinese zither, also known as Hanzheng, Qinzheng, Yaozheng, and Luanzheng, is a zither instrument among the traditional Chinese musical instruments of the Han nationality, belonging to plucked instruments.
